The artist in Edo / edited by Yukio Lippit.
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Item type | Home library | Shelving location | Call number | Status | Date due | Barcode |
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MMSU Main Library | Japanese Information Center | N 7353.5 A78 2018 c.2 JAPAN (Browse shelf(Opens below)) | Available | 40438 | |
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MMSU Main Library | Japanese Information Center | N 7353.5 A78 2018 JAPAN (Browse shelf(Opens below)) | Available | 39778 |
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N 4395 M67 2016 JAPAN The empty museum : western cultures and the artistic field in modern Japan / | N 7350 S37 2017 JAPAN Obtaining images : art, production and display in Edo Japan / | N 7350 T78 2019 JAPAN History of art in Japan / | N 7353.5 A78 2018 c.2 JAPAN The artist in Edo / | N 7353.5 A78 2018 JAPAN The artist in Edo / | N 7353.5 G88 2021 JAPAN Craft culture in early modern Japan : materials, makers, and mastery / | N 7355.4 T66 2016 JAPAN Radicalism in the wilderness : international contemporaneity and 1960s art in Japan / |
Includes bibliographical references and index.
During the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (c. 1757-1766) in 2012 prompted a reimagining of artists and art making in this context. These essays call attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.--Provided by publisher.
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